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Villains have never been Rowling’s strong suit, but Colin Farrell’s Percival Graves was a welcome presence in the Wizarding World.
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If Rowling is truly committed to diversity, why not give audiences a story set in Africa, perhaps exploring the relationship between magic and voodoo? Why not a story set in South America, exploring the magical consequences of Britain’s colonization? The Potter books have a huge international fanbase, and those fans would certainly pay to see themselves represented on screen. Fantastic Beasts could’ve been successful as a stand-alone adventure, opening the door for other similar episodes of global wizarding history, perhaps a quidditch-centric action film drawing inspiration from Quidditch Through Time? The Wizarding World could’ve been the first cinematic anthology series, delivering new adventures taking place in the same universe but following new characters and perspectives.
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The Wizarding World is full of unexplored possibilities away from the concept of a wizarding war. Considering there’s such a vast playground and many toys to play with, why are they so fixated on focusing on the same ones? Is Rowling so distrustful of her creation that she believes it won’t succeed without the usual suspects? Rowling and company seem too scared of exploring the sprawling world she created, instead favoring the same beats that were already tired by the eighth Potter film.
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By retreating into familiar territory and actively rejecting any real innovation, it reveals itself as a one-trick pony. However, any goodwill it achieved came crashing down with a third-act plot twist that seemed more like a cop-out.Īnd therein lies the first major mistake of the saga. Most of the film focused on the titular creatures, with a few slight detours into two love stories. The setup was promising enough, and the casting of actors like Dan Fogler and Katherine Waterston promised a new side to the overly English world of Potter and his friends. The first Fantastic Beasts followed a charming yet utterly forgettable Eddie Redmayne as the equally charming yet unimpressive Newt Scamander, a magizoologist who sets several magical creatures loose in 1920s New York. Would this be a documentary-style adventure for the world of Harry Potter? Or would it be an old-fashioned action-adventure escapade, an Indiana Jones yarn with wands and robes? The answer was more complicated but somehow unbearably boring.
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The choice to base this so-called new chapter in the Wizarding World on the spin-off book Fantastic Beasts and Where to Find Them raised eyebrows from the start. Yet, despite a committed ensemble of capable actors and impressive VFX, this new story’s freshness or originality gets lost in a sea of questionable casting and narrative choices, confusing storytelling, and a slew of behind-the-scenes scandals that have become more interesting than the movies themselves.
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From the start, the series seemed like a shameless cash-grab, a thinly-veiled attempt at milking the revolutionary cow that is the Wizarding World. Fitbit Versa 3įantastic Beasts is a case study of how not to expand a franchise.